“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
“Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you.” Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.
Mother’s Day is just around the corner, and there’s no better way to prepare yourself than by taking a look at this list of ten fictional mothers who will have you thanking God for yours. From Emma Bovary of Flaubert’s Madame Bovary to Mrs. Lisbon of The Virgin Suicides, these mothers will remind you that it could always be worse.