Hobart’s got a “Wish List” for submissions to its next issue, and with any luck they might just pull it off.
Are You Feeling Lucky?
Elena Ferrante Revealed
Elena Ferrante has revealed her true identity. At McSweeney’s. You could also read this piece on Ferrante’s “encompassing vision of human experience.”
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“I’ve escorted two e-partners to the edge of the grave”
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
Insult to Insult
“Who was Bret Easton Ellis describing when he tweeted: ‘The best example of a contemporary male writer lusting for a kind of awful greatness that he simply wasn’t able to achieve’?” The Guardian has a delicious quiz of literary putdowns. And speaking of fighting, let’s talk about books about violence.
Pirates Write Books Too
Actor Mackenzie Crook (think tall, gangly pirate in Pirates of the Caribbean) tells Telegraph WordUp! Festival that writing his first children’s book, The Windvale Sprites, was the most nerve-wracking test of his career.
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A Plate of Spaghetti
“A trip to the 21st century. Prague, maybe, or London, some big city where he can wander around being a bored tourist, snapping his gum, picking his nose in cathedrals, snapback on crooked and hopping from foot to foot, looking for a basketball court.” Thats what it would look like if Achilles (and other sad literary characters) got the holidays they deserved.
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Allison Parrish’s Generated Novel
Two years ago, Allison Parrish produced a diary of an expedition through “fantastical places that do not exist.” The twist? The diary was generated by a computer program, which extracted more than 5,700 sentences drawn from Project Gutenberg and later recombined at random by “switching out grammatical constituents.” An extract of the finished work, interspersed with Parrish’s nonfiction essay, can be read here.
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Discussing Knausgaard
“Knausgaard‘s work is literary because of what it does, but not because of how it’s written. He gets us all asking…where does my truth really lie?” Recommended listening: James Wood, Meghan O’Rourke and Bill Pierce discuss Knausgaard in a podcast for Open Source.
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