Peter Mendelsund writes for the Paris Review about how we see, or think we see, fictional characters. “Characters are ciphers. … We are ever reviewing and reconsidering our mental portraits of characters in novels: amending them, backtracking to check on them, updating them when new information arises.”
Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”
“Each one of those books is, like, several hundred pages long. So, that’s a lot of romantic anxiety and adolescent/young-adult/middle-aged angst to distill into pictures, but as far as I can tell, it’s all there: salted fish, shower-sex, alcohol-induced existential despair, the whole shebang! No reading required.” The Melville House blog, MobyLives, revisits the work of an anonymous artist who reenacted all of Karl Ove Knausgaard‘s My Struggle series using LEGOs. See also: our review of Knausgaard’s epic.
“I think essay and memoir hang together in a balance. There’s any number of ways to strike it, but from Montaigne on down that balance seems key to their design.” The Paris Review interviews the essayist Michelle Orange, author of the recent This Is Running For Your Life.