Christopher Newgent set up Vouched as a way to reinvigorate the book selling dynamic. By setting up guerrilla book stores and launching his Vouched Presents series, he’s had some success. You can keep tabs on their Twitter account to see when they’ll stop by your area.
“We love sentences and the people who create them.”
Poetry & the Environment: Answering the Big Questions
“The ideas people project onto me are just that: their projections. And to a certain extent I can choose whether or not to accept them. But these projections also put me in peril, which is why I need to cultivate love. What’s more interesting to me is how I overcome the limiting biases that are projected onto me. If I didn’t discover positive paths, my experiences — and books — would be unbearably devastating. I am always more concerned with the path toward hope and change.”
Camille Dungy, esteemed poet and essayist in Sun Magazine answering the big questions on the environment, race, religion and Trump.
The Lost Female Beat Poet
The Beat Generation was such a largely male-dominated literary movement that its few female writers have mostly been forgotten. At The Toast, Megan Keeling remembers Beat poet Elise Cowen, who is mostly known as Allen Ginsberg’s paramour but also wrote poetry of her own. “Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.” A collection of her poetry, Elise Cowen: Poems and Fragments, was just published.
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
First Lines of the New Jonathan Franzen
I’d heard that the New Yorker excerpt was the opening of Jonathan Franzen’s new novel Freedom, but it turns out it is preceded in the novel by this: “The news about Walter Berglund wasn’t picked up locally–he and Patty had moved away to Washington two years earlier and meant nothing to St. Paul now–but the urban gentry of Ramsey Hill were not so loyal to their city as not to read the New York Times. According to a long and very unflattering story in the Times, Walter had made quite a mess of his professional life out there in Washington. His old neighbors had some difficulty reconciling the quotes about him in the Times (‘arrogant,’ ‘high-handed,’ ‘ethically compromised’) with the generous, smiling, red-faced 3M employee they remembered pedaling his commuter bicycle up Summit Avenue in February snow; it seemed strange that Walter, who was greener than Greenpeace and whose own roots were rural, should be in trouble now for conniving with the coal industry and mistreating country people. Then again, there had always been something not quite right about the Berglunds.”
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The Year of the Essay
“Reading fiction is one of my true loves, but essays help me to understand things about the world, the writer, and if they’re really great, myself.” Electric Literature‘s Jason Diamond argues 2014 was “The Year of the Essay,” and when we think over the collections published this year – The Empathy Exams, The Unspeakable and Loitering, among others – it’s hard to disagree.
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Making It
China plans to spend millions “sprucing up” Gaomi, the hometown of recent Nobel winner Mo Yan.
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Party in the City Where the Book Fair’s On
South Florida readers! Assuming you’re done voting by now, you should make next week’s Miami Book Fair International a priority. Afterward, you can go celebrate thirty years of Books & Books, the jewel of Coral Gables. (And perhaps to warm up for it all, you can read my review of Tom Wolfe’s Back to Blood.)
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The Good Fight
Sometimes — like now, say — an artist has to ask what it means to continue working. At The Rumpus, Lara Downes explores her resolve to keep playing and teaching music, and writes about what she’s done while teaching in Louisville this week.