In light of Aaron Swartz‘s alleged JSTOR data theft, Maria Bustillos wonders whether his actions even constitute a crime. George Monbiot goes even further, alleging that academic publishers “make Murdoch look like a socialist.”
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
Medievalist Elaine Treharne teaches a course on Beowulf at Stanford, and one of her primary theoretical questions for her students is, “What is (the) Text? … What constitutes Beowulf?” So she got to thinking. She wondered what she and her students would do “with a social media version of the poem.” What ensued is a distillation of the great epic in 100 tweets, which you can read over here.
Poor Robert Frost can’t catch a break. Last month, we wrote about the Kansas man who stole a bronze bust of the poet. Now, a Vermont man has been charged with stealing Frost’s personal letters and Christmas cards that were left in a desk donated to the non-profit where he worked. He also sold them for $25,000 but only has to pay an $100 fine.
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
Michael Chabon is really into prog rock. And I just picked up a couple of great Emerson Lake & Palmer LPs. So now I’ve got a soundtrack for reading Telegraph Avenue, which I’m especially stoked on after our own Michael Bourne’s review of the novel, devoted as I am to the “brilliant little brushstrokes of language.”