At Poets & Writers, National Book Critics Circle board member Jane Ciabattari offers a 4,000-word look at where the dust has settled as newspaper book reviews have shrunk and online book sites have proliferated.
The New York Times‘ executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
“I should probably write a few words about 2015, but the year is stale now, rung out like a damp dish rag and left to dry in the cold, dour winds of some rundown burg blasted off the map by poverty and overcast. 2015 has been recorded, logged, and filed away as History, and as an American, I abide by my country’s allergy to revisiting History.” Catapult’s Mensah Demary on the tradition of New Year’s resolutions.
In 2011, Eternal Sunshine of the Spotless Mind screenwriter Charlie Kaufman gave a 70-minute lecture at the BFI in London. Little did he know Eliot Rausch would take snippets from that lecture, set them to accompanying, complementary visual clips, and turn the entire thing into a marvelous, beautiful video entitled What I Have to Offer.
Looking for more thoughts on My Life in Middlemarch to supplement today’s interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a “moving demonstration” of Middlemarch’s power. (You could also read Adelle Waldman’s Year in Reading piece about the novel.)
“I don’t know what wave feminism we are in now. Fourth? Fifth? But Ms. Attenberg, it depresses me to no end that the gritty, credible, less kissed-by-God heroine of your book, Andrea Bern, a single, childless, 39-year-old straight woman, a character created almost 50 years after Mary Richards, is still realistically struggling with and defying convention because she isn’t married.” On Jami Attenberg’s new novel.