Rich Tommaso has penned an illustrated look at the Fantagraphics offices circa 1995.
Mark McGurl author of the book that got everyone talking about MFA programs, The Program Era, mounts a spirited defense against Elif Batuman's much discussed review of the book. Among his ripostes: "One can be all for the deflation of liberal pieties without being a gleeful ignoramus about it, as though literary journalism needs its own Ann Coulter." Zing!
"How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?" Year in Reading alum Rebecca Makkai writes for Electric Literature about the opening of the new American Writers Museum in Chicago and what it means to curate an historical canon of letters. See also: our interview with Makkai from a couple of years back.
Recommended Reading: An excerpt from comedian and Year In Reading alum Rob Delaney's memoir, Rob Delaney: Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage. "I haven’t been to war, so I can’t comment on what that experience is like, but people who go through rehab or a halfway house walk a tough road together and not all of them make it."
“When we read a book that requires that effort — when the act of reading becomes rigorous and self-aware, rather than effortless and transparent — we get to have a history with what we’ve given ourselves to, a history etched into us by the demanding friction of its difficulty.” Zoë Heller and Leslie Jamison debate whether or not we overvalue difficult literature in The New York Times.
Out this week: Another Brooklyn by Jacqueline Woodson; Shining Sea by Anne Korkeakivi; White Nights in Split Town City by Annie DeWitt; War and Turpentine by Stefan Hertmans; How to Party with an Infant by Kaui Hart Hemmings; Arrowood by Laura McHugh; and The Glorious Heresies by Lisa McInerney. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Just about every review of Virginia Zaharieva’s Nine Rabbits calls attention to its “narrative virtuosity” and the way it “packs several genres into one.” That might sound like empty praise until you check out this excerpt for yourself, and see that the book is not only a memoir, and a coming-of-age story, but it’s also a cookbook.