Apropos of Mark O’Connell‘s contemplation of the Kindle is this piece by The Guardian‘s Sam Leith on what to expect if the Kindle truly does supplant the printed book.
Some world literature links: Sign and Sight offers the best introduction to Herta Müller I've been able to find...The Complete Review gets the ball rolling on Roberto Bolaño's (very) early novel Monsieur Pain, forthcoming from New Directions...Ingo Schulze, author of the quietly astonishing New Lives and the forthcoming One More Story, talks to The Toronto Star (via)...The NBCC features Yu Hua's Brothers...Claudio Magris is crowned the king of Frankfurt...Maud Newton hails Juan Gabriel Vásquez's "inventive and intricately plotted" The Informers...The Brooklyn Rail and Transcript both offer handsome online digests of short stories from around the world.
Check out this interview with Andi Zeisler, author of We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement. “Capitalism, ultimately, it’s not about equality, it’s not about social justice. It doesn’t care about fixing fundamentally unequal systems that impact humans on an everyday level. Critical thinking is the really important skill, to [ask], does it seem like this is a company or a brand that really cares about women?” Our own Edan Lepucki’s piece on feminist anthems complements the interview nicely.
According to Gilles Deleuze, "the lives of philosophers are rarely interesting." This may have come as a surprise to Jacques Derrida, who once spent a couple days in jail after cops in the Prague airport tried to frame him for smuggling weed. (This incident gets ample coverage in a new biography of the scholar).
A lot has already been said about Nicolas Winding Refn's newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: "Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: 'I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.' Fair enough."