Stephen Fry uses the Alabama-Auburn Iron Bowl to summarize the state of America.
Anjuli Raza Kolb reviews Rachel Poliquin’s The Breathless Zoo, which “tracks the history of whole animal and animal specimen preservation, particularly taxidermy, which refers to the stretching and mounting of the skins of vertebrates, from the seventeenth-century European explorers to the present, with a heavy focus on Victorian practitioners and collectors.” No word on whether or not Poliquin remarks on this curious Danish Facebook group of terrible taxidermy. (Bonus: Caitlin Horrocks’s new story on FiveChapters, “The Lion of Gripsholm – Part Four: IV. The Taxidermist.”)
Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer’s early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.
New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
For 50 years, The New York Review of Books has written some of the best headlines in the business. Matthew Howard rounds up every headline. Our favorites include: “Don’t Sing Your Crap,” “How Unpleasant to Meet Mr. Baudelaire!“, “Welcome to New Dork,” “It’s Your Fault, Henry James,” and “Portrait of the Artist as a Paradox.”