“Why not plan a vacation dedicated exclusively to reading?” asks Salon‘s Laura Miller.
“The media of my childhood, mostly weekly television shows and overused VHS tapes, was like a good pet. Sure, it was a little costly to keep around, but it was lovable, and I could always shut it out in the yard for a while. Now, though, media is always with me, always trying to snag my attention and siphon away as much as possible to sell to advertisers. It feels like it’s evolved from a cute little pet into a frighteningly efficient parasite.”
"Most of the time I think of the self as a snare, and I don’t like being trapped in it. I try to reach out beyond my pittance of experience and connect to the world, but it turns out one way to do that is to be honest and accurate about my own life." Leslie Jamison interviews Charles D'Ambrosio for The New Yorker. Pair with our own Hannah Gersen's review of D'Ambrosio's Loitering.
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
Out this week: Men Without Women by Haruki Murakami; The Purple Swamp Hen by Penelope Lively; Since We Fell by Dennis Lehane; House of Names by Colm Toibin; and Woman No. 17 by our own Edan Lepucki. For more on these and other new titles, go read our most recent book preview.