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“Salinger’s Holden Caulfield made a distinction between writers you would like to call on the phone and those you wouldn’t care to talk to at all. Teju Cole belongs to the former group.” Year in Reading alum Aleksandar Hemon interviews Teju Cole. If you can’t get enough of Cole, we interviewed him, too.
Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
You might have heard that a new Shirley Jackson book appeared on shelves this week. A collection of previously unpublished work, Let Me Tell You was published by Penguin Random House, which happens to be the place where Benjamin Dreyer, a lifelong Shirley Jackson fan, works as a copy chief and managing editor. At The Toast, he describes how it felt to edit his favorite writer.
Art is about connecting the dots, Amanda Palmer proposed in her keynote address on creativity and sharing art in the internet age at the 2013 Grub Muse Literary Conference earlier this month. “For every bridge you build together with your community of readers, there’s a new set of trolls who sit underneath it,” she said about the internet.
“As they were actual animals, rather than anthropomorphized personality traits intended to teach moral lessons, the Dog’s words were just a bunch of barking. The Goat bolted across the road, ending up on the ridge behind the Baker place. The Goat’s owner then called Animal Control, even though the Dog’s owner knew about the pot plants in the former’s greenhouse, which he had always been cool about, though that may change real soon.” Aesop's lesser fables.