Practically everyone read Maud Newton‘s riff on David Foster Wallace‘s influence this weekend, but Edward Champion had some issues with it.
n+1's Research Collective has posted the introduction to Ellen Willis's No More Nice Girls: Countercultural Essays (1992), and plans to post a series of essays by the seamless activist and writer-- "Her refusal to subsume her personality to a movement, or to ignore the things that were important to her, remains an inspiration."
"History is littered with poets... who set up their own presses to publish their work, because it was so different from the normal forms of the time. Virginia Woolf and her husband Leonard are one example- they started their own press called the Hogarth Press (it is still going today) to publish collections of their work." Self-publishing is something we've written about many times before, but Sarah Gonnet raises a good point - self-publishing isn't truly a new phenomenon, and it does allow for a great deal of creative freedom.
Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he "still believe[s] art is more powerful than money." This from the man whose tiger shark and formaldehyde sculpture "The Physical Impossibility of Death in the Mind of Someone Living" sold for $12 million-- the figure that Don Thompson reports in The $12 Million Stuffed Shark.