Checkerboard Films has produced a new documentary film on James Salter, “James Salter: A Sport and a Pastime.” You can see Nick Antosca and myself, waxing admiringly, as the “young literary voices” who’ve been influenced by Salter.
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?
There was an interesting piece on the intangible economics of fine art in this weekend's NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): "Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal."
Paris Review co-founder Peter Matthiessen will publish a new novel in the spring of next year. Matthiessen, who won the National Book Award in 2008 for his last novel, Shadow Country, said the new novel centers on “a weeklong meditation retreat at the site of a World War II concentration camp.”
The third volume of Karl Ove Knausgaard's My Struggle was released on Tuesday. In a recent review for The Daily Beast, Ted Gioia argues that "we read [My Struggle] with horror and delight, because the protagonist—who is Karl Ove Knausgaard himself—is determined to reveal every embarrassing and shameful detail of his past life. Imagine a literary novel with grand Proustian ambitions, but combined with the ethos of those creepy Jackass-type reality shows in which contestants get a dose of renown by making fools of themselves. That’s the spirit of My Struggle." For a second opinion, be sure to check out our own review of the novel's earlier installments.
In The Age of The Crisis of Man, a new book by n + 1 co-founder and editor Mark Greif, the author examines the life and death of the concept of “man,” aka a unified humankind that could be said to suffer from particular conflicts. It was born in the thirties, with the rise of Fascism, but persisted for decades, eventually giving way to a more diversified view of humanity. In Tablet, Adam Kirsch dives into Greif’s arguments.