You can stream n+1‘s podcast with Sam Lipsyte. It “chronicle[s] Lipsyte’s journey from his role as ‘Lead Screamer’ for the punk-rock band Dungbeetle to the publication of his third novel, The Ask.”
n+1 Podcast with Sam Lipsyte
Here to Stay
Over at Flavorwire, Jonathon Sturgeon responds to Jeff Guo’s recent article on the end of the period. As he puts it, “Any long piece without periods — is like a car without brakes. You can drive it, but you’d rather not.”
Found in Florence
“It was just one small sign in a bustling city. But it was a sign, nevertheless, that Florence has not forgotten the Brownings after all.” In the New York Times, novelist Ann Mah explored Florence looking for signs of the literary couple who called it home for many years: Robert Browning and Elizabeth Barrett Browning. From our archives: a more sober look at the famed city.
Oh, you were the best of all my days.
Zadie Smith reading Frank O’Hara’s “Animals,” by way of the Chicago based ad and design agency, Coudal Partners, and their voice mail based poetry project, Verse by Voice.
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That Old Imperial Impulse
“The notion that American literature might have an imperial bent—that it might be anything other than a string of lightly co-influential works of ‘imaginative power,’ and might itself reflect our national desire to dominate—is lost on its critics, both right and left.” Jonathan Sturgeon in The Baffler on American exceptionalism and “the imperial self” in fiction, with particular attention paid to the work of two other Jonathans, Franzen and Safran Foer.
An Animated Bradbury
“You write to please yourself. You write for the joy of writing. … The enthusiasm, the joy itself draws me. So that means every day of my life I’ve written. When the joy stops, I’ll stop writing.” Recommended viewing: an animated interview with Ray Bradbury.
“The paper’s news judgment is exceedingly bizarre.”
Jonathan Chait takes a look at the (horrible) newspapers in Back to the Future, but he misses the most obvious criticism. That page layout is atrocious!