Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
Moby-Dick In Pictures
Reading for the Worse
Leslie Jamison and Francine Prose discuss the ways reading can affect your life for the worse, with potential results ranging from murder to being bad at sports.
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Dear Matthew Specktor
Thanks to Stephen Elliot‘s Letters in the Mail project, LARB senior editor Matthew Specktor finds himself admiring the gorgeous handwriting of strangers, feeling tickled and gobsmacked, and reflecting on letter writing as something “beautifully useless to do.”
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First Sentence
“I cannot help feeling, on being invited to contextualize my own fiction, that the least qualified person possible has been asked. It is more still: hesitance, dread, that as a blind man in a failing aircraft I have been offered the yoke. I imagine it is the same for other writers, for the very fact that you write a story, and not a critical essay, suggests that near everything you hope to say lies outside the bounds of explicit statement.” Despite all that, here’s an essay by Greg Jackson at Granta in which he attempts to contextualize his own fiction.
How Many Spaces After A Period?
According to Slate: “Typing two spaces after a period is totally, completely, utterly, and inarguably wrong.”
Remembering the Novel
If novels are written to remind us of our mistakes and we keep repeating those mistakes, why read novels at all?, asks Alberto Manguel. Richard Lea discusses authors’ views on the relationship between the novel and memory at The International Forum on the Novel.
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Moby-Dick has a very modern swing-for-the-fences sensibility that has inspired many artists. The Modern Library edition with Rockwell Kent woodcuts is still in print.