Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
Moby-Dick In Pictures
Lady Boxers at the LRB
If you didn't like Elif Batuman's gut-punch to MFA writing ("Get A Real Degree") in this issue of the London Review of Books, might I suggest Jenny Diski's cudgeling of self-help lit in the LRB's Diary essay?
For Whom the Blog Tolls
The awesome Left Coast literary magazine Black Clock, whose presiding spirit is Steve Erickson, gets into the blogging game.
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In the Future, We Are All Authors
Seed forecasts an age of universal authorship (though its definitions of "consumer" and "creator" beg for reconsideration). (via)
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A Flock of Pages
“Every one of these books is a herd of animals.” The Atlantic reports that a group of archaeologists and geneticists in the UK have used mere crumbs of parchment to study the DNA of several thousand-year-old illuminated manuscripts, the pages of which were made of cow and sheep skins.
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The Great American Male Novel
The New York Times recently asked Jennifer Szalai and Mohsin Hamid why there isn't a Great American Novel written by a woman? Both writers concluded that there is no such thing as the Great American Novel. "But if the idea of the Great American Novel is blinding us to exquisite fiction written by women, then perhaps its harm is exceeding its usefulness," Hamid wrote. We think that's a bit of a cop out. But a few women showed up on our list of the Greatest American Novels.
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Literary Culture in Boston
Boston has announced the country's first "Literary Culture District," marked by memorials to Edgar Allen Poe and Sylvia Plath. It also includes some arguably less interesting sites - the buildings that used to house The Atlantic Monthly and Little, Brown and Company, for example. Caroline O'Donovan writes critically about the new district for The Baffler and concludes that "we’ve allowed glib cultural ideals to occlude economic realities, and tourism tax dollars to triumph over a candid conversation about the origins of art and the sustainability of its production."
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Moby-Dick has a very modern swing-for-the-fences sensibility that has inspired many artists. The Modern Library edition with Rockwell Kent woodcuts is still in print.