Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
Moby-Dick In Pictures
Shared Terror
“On the level of narrative possibility, I was really drawn to the sense of aloneness that rose from so many of these images—the terrifying possibility of being the last person left on earth, or even the last person left in a neighborhood, a swamp, a freeway. That stark haunting irony of living in a world of excess that has eventually collapsed on itself, emptied out.” Guernica interviews Leslie Jamison and Ryan Spencer for their new collaboration, Such Mean Estate.
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Blurbing for Laughs
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From Under a Heavy Plinth
“The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction.” James Wood reviews Hermione Lee‘s new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin‘s Millions essay on the new age of biography.
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Remembering Ray Bradbury
A moving tribute to Ray Bradbury on The Paris Review Daily from his one time fact checker Stephen Andrew Hiltner: “Ray Bradbury, who never went to college and was entirely library educated, had what so many of the sophisticated, MFA-carrying writers today lack: passion, vitality, emotional awareness.” Also: Wired has collected a bunch of reminiscences from science fiction writers, including Ursula K. Le Guin.
Moby-Dick has a very modern swing-for-the-fences sensibility that has inspired many artists. The Modern Library edition with Rockwell Kent woodcuts is still in print.