Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
In 1945 and 1946, the FBI began keeping tabs on Jean-Paul Sartre and Albert Camus. The Cold War was just around the corner, and the Bureau suspected their new targets were secretly agents of Communism. However, FBI agents who followed the French writers evolved in the course of their spying: they became, in G.K. Chesterton’s phrase, “philosophical policemen.” (h/t Slate)
“And this is a story about what women can do to each other—why women are cruel to each other, why women don’t reach down and help each other.” In conversation for Vanity Fair, Megan Abbott and Gillian Flynn talk about female rage, #MeToo, and Sharp Objects, the HBO series based on Flynn’s novel. Pair with: Millions staffers Janet Potter and Edan Lepucki talk about Flynn and her novels.
Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
New! This! Week! Forty-one False Starts: Essays on Artists and Writers by Janet Malcolm, Red Moon by Benjamin Percy, Pacific by Tom Drury, Love Is Power, or Something Like That by A. Igoni Barrett (read his piece at The Millions), and Dossier K, a memoir from Novel winner Imre Kertész.
“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.
Last week, we reported that Stephen King’s first hard-boiled detective novel, Mr. Mercedes, will be out this June. If thrillers aren’t your thing, though, King has another horror novel coming out this November, Revival. It tells the story of the dangerous bond between a charismatic minister and a heroin addict musician.