Emily Witt checks out Melville House’s new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”
We’re super jazzed about a new (and free!) app called ToposText that pairs the entirety of ancient Greek and Roman texts with GIS mapping data, allowing travelers to pull up history’s classics in the places in which they were written. Developed by a relative of our own Lydia Kiesling, ToposText correlates to a map of nearly 6,000 ancient places and includes 570 ancient texts in English translation, with hyperlinks to the Greek or Latin original. And for a more modern context to the Homeric epic The Odyssey, consider our piece comparing its journey to that of Toni Morrison‘s own classic Beloved.
“Motherhood has always been contested terrain, but for the last decade or so it’s been a virtual battleground; every year, almost like clockwork, we have another flare-up in the so-called Mommy Wars, with another Tiger Mom or Get-Back-To-Work-er or Can’t Have It all-er launching a grenade as prelude to a book tour. And as much as I have an obvious stake in these battles as a mother and a feminist, I’ve come to find them depressingly repetitive, all sound and fury but offering little in terms of the policies that might actually affect our decisions.” At the LARB, Stephanie Bower gives her take on Why Have Kids?, Jessica Valenti’s new treatise on parenting.
“Language starts to shut down the strength and power and strangeness of what it means to be a person in the world.” At The Rumpus, Ben Marcus discusses how he uses language in his writing and his new short story collection, Leaving the Sea (featured in our 2014 book preview.) Pair with: Our own Adam Boretz’s interview with Marcus and our review of The Flame Alphabet.
Maybe you’ve been enjoying Crapalachia (Excerpt) as much as everybody else these days – or perhaps you’re just a big fan of the Appalachians (and hopefully not MTV’s Buckwild). Either way, you should get a kick out of Scott Hubener’s The Space In-between project. The photography series “documents the landscape and residents along U.S. Route 23, between Asheville, North Carolina, and Johnson City, Tennessee.”