Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.
Literary Libya
How to Write Like a Cartoonist
“Pop Quiz: Which word is funnier, observe or stalk?” Scott Adams, creator of “Dilbert,” gives some tips on how to write like a cartoonist.
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Kino
Haruki Murakami, our favorite advice columnist, has a new piece of short fiction in the New Yorker.
Oylmpics: A Cautionary Tale
Remember, everybody. Running with the Olympic torch is temporary, but a misspelled tattoo is forever.
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For the Viral Good
As you may have heard, Twitter went public last week, which means a lot of people are trying to figure out just what its IPO means for social media. Over at n+1, Benjamin Kunkel proposes that social media, by its very nature, cannot be profitable, and thus should be administered by the state as a public good.
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Coetzee on Murray
Millions favorite J. M. Coetzee analyzes “the angry genius” of Les Murray for The New York Review of Books.
Tuesday New Release Day: Baldwin; Lacey; Lim; Berman; Umrigar; Fierro
Out this week: The Last Kid Left by Rosecrans Baldwin; The Answers by Catherine Lacey; Dear Cyborgs by Eugene Lim; Perennials by Mandy Berman; Everybody’s Son by Thrity Umrigar; and The Gypsy Moth Summer by Julia Fierro. For more on these and other new titles, go read our most recent book preview.
Not to be Rude
Apologies for bringing this up, but in a WaPo review of Sorry!: The English and their Manners, Jonathan Yardley points out that your average English person says “sorry” eight times a day.
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