A new documentary on Ken Kesey and his band of Pranksters “presents the LSD-loving pioneers who spawned ’60s counterculture in their own words and images.”
“Limits stop you from living a life without limits,” writes Augusten Burroughs. “Of course, this is only an illusion. What limits really do is give you an acceptable excuse to avoid doing something.” (He’s talking about life, not Oulipo.) The piece is excerpted from his recent book, This Is How.
In their latest Trend Watch, Merriam-Webster announced they’ve been seeing more searches for “Kafkaesque,” a spike they attribute to British publishers writing about Booker winner Han Kang. Since the word is so overused, it’s worthwhile to ask: just what does it actually mean now, anyway? Allison Flood tries to pin it down at The Guardian.
Bygone Bureau editor Jonathan Gourlay spent eleven years living on the microscopic island of Pohnpei, and fortunately for us he kept his wits about him long enough to churn out a “funny, haunting travel memoir” entitled Nowhere Slow. You can check out an excerpt from the eBook over here.
At the Poetry Foundation’s website, Ruth Graham tackles a strangely ubiquitous question: how does a couple go about choosing a wedding poem? (For context, it helps to keep the following quote in mind: “the aesthetics of [a personal] wedding, at least for couples of a certain age and posture, are practically set in stone: indie pop music, mason jars, white Christmas lights, wildflowers.”)
Measuring a writer’s success is tricky. An author might make The New York Times Bestseller List now but only be a footnote in an encyclopedia a century later. At The Guardian, D.J. Taylor wonders what contributes to a writer’s posterity and concludes a pushy publisher or sponsor is often a writer’s best asset. Pair with: Our essay on how John Updike fans attempt to maintain his reputation.