A new documentary on Ken Kesey and his band of Pranksters “presents the LSD-loving pioneers who spawned ’60s counterculture in their own words and images.”
Kesey Documentary
Listen Carefully
Recommended Listening: Poet Rachel Zucker speaks with Erika Meitner about straight-forward poetics and poetry as a tool for social justice.
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Double Threat
As if demonstrating exemplary literary skill weren’t enough, some overachieving authors were accomplished visual artists as well, notes AbeBooks in a roundup of talent that includes e e cummings, Günter Grass, Herman Hesse, and Jack Kerouac. Consider also our own Bill Morris on artists who channel writers in their own aesthetics.
Nabokov’s Retranslation
“It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for ‘Camera Obscura’ shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)” John Colapinto looks at Nabokov‘s retranslation of Laughter in the Dark for The New Yorker.
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The Bechdel Test Through History
Sometime Millions contributor Frank Kovarik takes a look at Alison Bechdel’s famous test for gender bias in movies and applies it to literary classics going back to Homer.
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In Memoriam, Edward Albee
“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
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Mavis Gallant, Diarist
Rejoice: Mavis Gallant’s private journals are being released by Knopf in the US.
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Tuesday New Release Day: Lee; Jiles; McCarthy
New this week: The Boy Who Escaped Paradise by J.M. Lee; News of the World by Paulette Jiles; and The Hollow Men by Rob McCarthy. For more on these and other new titles, go read our latest fiction and nonfiction book previews.