BBC‘s Tom Geoghegan asks whether or not The Great Gatsby is “the perfect tale for modern America.”
Jay Gatsby, Iconic American
Karen Joy Fowler wins 2014 PEN/Faulkner Award
Karen Joy Fowler has won the 2014 PEN/Faulkner Award for her novel We Are All Completely Beside Ourselves. A celebratory dinner will be held in her honor on May 10.
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Two New Leslie Jamison Books on the Way
Leslie Jamison, whose collection Empathy Exams was widely praised on The Millions, has earned a two-book “mega” deal with Little, Brown. The new deal promises to deliver another essay collection entitled Ghost Essays, as well as a work of “narrative nonfiction” entitled Archive Lush. (Bonus: We interviewed Jamison for the site last May.)
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All the Old Showstoppers
Back in the mid-aughts, The New Pornographers were known for having a large number of members with impressive (and exhausting) solo careers. As part of The Rumpus’ Albums of Our Lives feature, Ryan Werner remembers Middle Cyclone by Neko Case.
Liberty is the air we breathe
The text of Salman Rushdie's PEN World Voices lecture on liberty and censorship has been published on the New Yorker's website.
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“Pixel Dust”
"In the end, no special effects, dazzling displays, augmented realities, or multimodal cross-platform designs substitute for content. Scholarship, good scholarship, the work of a lifetime commitment to working in a field — mapping its references, arguments, scholars, sources, and terrain of discourse — has no substitute." Johanna Drucker writes about both the importance and the inherent difficulty of scholarly publishing for the Los Angeles Review of Books.
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Annie’s Pilgrimage
Annie Leibovitz discusses her new book Pilgrimage, and how the project became a journey of personal and artistic renewal.
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Sex, Drugs, and Literary History
Will anyone read Chuck Klosterman in a hundred years? Jonathan Russell Clark explores the possibility over at The Literary Hub: "What fate awaits the author of books so rooted in a given era? Can the accomplishment of capturing now remain significant or noteworthy forever? Will anyone read Klosterman in the future? And if they do, how will they read him?" In the mood for more JRC? How about his essay on the art of the first sentence?
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