“Imaginary Oklahoma” is an ongoing platform at This Land Press in which “some of today’s most important and influential writers combine with artists from outside the state [of Oklahoma] to provide a fictional take on this place we call home.” New Yorker editor, author of Celebrity Chekhov, and chart enthusiast Ben Greenman has written a piece entitled “Always and Forever.”
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
“According to the biography, Hadden designed the fact-checking system with the thought that putting a male writer and a female researcher together in a quasi-adversarial situation would create a sexual dynamic that could lend energy to the process.” Calvin Trillin’s memories of the Time offices in the early 1960s are at times more Mad Men than Mad Men.
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?