East Coasters can prepare for Hurricane Irene by reading Hart Crane‘s “O Carib Isle” (via W.W. Norton & Co.) or William Carlos Williams‘ “The Hurricane” (via Proustitute). The Book Bench has also compiled a list of “Six Shorts to Read During a Hurricane.”
The Millions is delighted to welcome new staff writer Marie Myung-Ok Lee, whose first piece for the site publishes today. Marie is the author of Somebody’s Daughter and a novel about medicine forthcoming from Simon and Schuster. You may have seen Marie’s excellent writing in The Atlantic, The New York Times, and many other venues. She teaches fiction at Columbia.
The Guardian gives us Booker-winner Line of Beauty “condensed in the style of the original.”Some of you may have already seen this one: The 100 Greatest Books of all Time, also from the Guardian. How many have you read? I’m at 24, and I love that Kingsley Amis’ Lucky Jim makes the list. To anyone who is looking for a recommendation on what to read right now: get Lucky Jim, you’ll love it.Weren’t we talking about ISBNs the other day? Here’s a new blog about ISBNs and “book information” by a former Amazon employee and the creator of isbn.nu.Steve Landsburg asks: Too many books? I’m not completely sure I see his point. He seems to be implying that people only read one book a year. Furthermore, publishers fall all over themselves trying to create a blockbuster book; it’s far more cost-effective to promote a few guaranteed big sellers than a lot of risky titles. Sad but true. Perhaps the better thing to do is not to bemoan the inevitable Da Vinci Codes but to instead look for creative, cost-effective ways to promote riskier books.Malcolm Gladwell, author of the trendsetting book about trendsetting, The Tipping Point, has new book coming out called Blink: The Power of Thinking Without Thinking, in which he “reveals that what we think of as decisions made in the blink of an eye are much more complicated than assumed.”
“I would argue that decent books coverage in a daily newspaper — especially when it’s presented in such a way that readers are likely to stumble over it and discover titles they might not otherwise have heard of — is more supportive of writers in the long run than a scholarship program.” At Salon, Laura Miller explores literary culture and the downsides of the MFA, which include teaching high school.