The hard-partying New York Times had us seeing double this morning.
Did We Mention That the Night Is Young?
Batuman the Bestseller
Brilliant, funny essay by Elif Batuman about “life after a bestseller,” including the time she asked Jonathan Franzen if had any weed. Bonus Link: Batuman at The Millions.
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Old Writers, New Media
Which convergence between classic author and modern technology is more off-putting: the University of Virginia’s William Faulkner recordings, or this YouTube video of Leo Tolstoy sawing wood?
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Ginsberg on Williams’s Plums
The Allen Ginsberg Estate supports a regularly updated blog called The Allen Ginsberg Project. I recommend reading it. Here’s a gem of a conversation between the late poet and a student over those delicious, sweet and cold plums in William Carlos Williams’s “This is Just to Say.”
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Tote Bags Everywhere
“There is also a particularly awkward and dispiriting form of loneliness that settles in the shoulders when faced with a room filled with social media connections, those digital acquaintances who remain strangers in the flesh.” Life amongst the introverts, and other dispatches from AWP 2013.
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The 2015 IMPAC Dublin Longlist
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie’s Americanah is on there, as is Neil Gaiman’s The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt’s The Goldfinch (which won this year’s Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).
The Return of Agatha Christie
“As much as there is an evergreen fascination for Christie’s stories, there’s also an alluring air of mystery surrounding the woman herself.” Broadly explores the enduring nature of Agatha Christie‘s stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.
Pride and Fiscal Prudence
According to the BBC, Jane Austen will replace Charles Darwin on the Bank of England’s new £10 notes.
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