The hard-partying New York Times had us seeing double this morning.
Kudos to Claire Vaye Watkins for taking home the Dylan Thomas Prize! Worth £30,000, the prize went to Watkins because, in the words of of the chair of the judging panel, she possesses “some of Dylan Thomas’s extraordinary skill in the short story form.” (Read more about Watkins’s work in Geoff Mak’s review of her 2012 book Battleborn.)
“There’s something about shopping for books where you’re open for anything. You’re faced with a wall of books, and you don’t know anything about most of them. At some point, it’s just you and the poems.” Carl Adamshick talks with the Los Angeles Review of Books about Powell’s and the “bookstore MFA.” Pair with our own Janet Potter‘s essay on loving bookshops.
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
An illustration of why Cliffs Notes are never a substitute for the real thing.The Britannica Blog looks at “fun facts” about the 1,000 most popularly held books in libraries around the world, including this item: “Which author has the most works on the OCLC Top 1000 list? William Shakespeare (with 37 works). He is followed by Charles Dickens (16 works) and John Grisham (13 works).” Here’s the full list where The Bible comes in at #1, the Census at #2, and Mother Goose at #3 (in 2,036 different versions and editions.) (via)Powell’s is making a series of short documentaries about writers that will supplement and stand in for book tours. From the New York Times: “The British author Ian McEwan is the star of the first film, which is planned to run 23 minutes and will feature snippets from an on-camera interview with Mr. McEwan, as well as commentary from peers, fans and critics.” The film is being put out to coincide with the release of his new novel, On Chesil Beach. (via)
We’re thrilled by the early buzz surrounding Epic Fail, our first Millions Original eBook. You can learn more about the project courtesy of The New York Times, The Los Angeles Times and Teleread. Of course, you could learn even more about the project by purchasing a copy of the book.
Our own Emily Mandel may have been onto something with her “catastrophic” summer reading list; dystopia seems to be all the rage this summer. The WSJ sets Rick Moody’s The Four Fingers of Death in “a dystopian United States that is halfway between Kurt Vonnegut’s Player Piano and Woody Allen’s Sleeper.” The SF Chron calls Gary Shteyngart’s Super Sad True Love Story “literature’s first dystopian epistolary romantic satire.” And later this year, as we noted this month, will be Salvation City by Sigrid Nunez, which focuses on a cultish community in the dystopian aftermath of a flu pandemic.
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.