Darryl Campbell has had enough of the clichés abundant in book reviews so he’s devised some alternatives. “If fine artists aren’t your thing,” Campbell writes, “then maybe American presidents might be a better comparison: ‘Taft-like excess,’ ‘Cleveland-esque genre-bending’ or ‘Clintonian eroticism’.”
Out this week: The Small Backs of Children by Lidia Yuknavitch; The Woman Who Stole My Life by Marian Keyes; The Hand that Feeds You by A.J. Rich; Among the Ten Thousand Things by Julia Pierpont; Vanishing Games by Roger Hobbs; The Last Pilot by Benjamin Johncock; Speak by Louisa Hall; The Way Things Were by Aatish Taseer; The Invaders by Karolina Waclawiak; Pretty Is by Maggie Mitchell; You Don’t Have to Live Like This by Benjamin Markovits; French Concession by Xiao Bai; The Captive Condition by Kevin P. Keating; and the paperback edition of our own Edan Lepucki's California. For more on these and other new titles, check out our latest book preview.
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak's work and Zadie Smith's books is a fact of Turkey's shifting cultural values rather than plagiarism: "Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more." For a bit of context, here's Lydia Kiesling's rundown of the initial scandal.
It's fitting that Ray Bradbury credited his interest in architecture to an H.G. Wells story he read when he was five. At The Paris Review Daily, a previously unpublished essay by the author, who says his career in architecture started when he noticed there was no plaque at the residence of Sherlock Holmes. Related: Tanjil Rashid on Bradbury's connection to the Middle East.