For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
With the movie adaptation of The Great Gatsby slotted to come out next summer and Anna Karenina due out in late November, film critic Richard Brody looks back at some of his favorite movies based on literature and proposes what makes an adaptation successful.
Joseph P. Kahn writes for The Boston Globe that books published posthumously are among the most profitable, from Stieg Larsson’s Millennium trilogy to David Foster Wallace’s The Pale King. Pair with the opening lines of The Pale King, and a previously unpublished scene.
“[Emily] Dickinson is often portrayed as some white gossamer recluse, completely divorced from the world outside her bedroom—but that is not really true. The physical circumference of her adult life was small, but its psychological terrain was boundless.” This piece explores the ways in which Emily Dickinson’s work was shaped by her skills as a gardener and naturalist.