FSG’s outstanding Work in Progress series drops in on the offices of Lapham’s Quarterly founder Lewis Lapham.
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.
“In a bewildering new trend, it is young rationalist bloggers in Bangladesh who have emerged as the primary target of Islamic extremists.” K. Anis Ahmed writes about the brutal murders of bloggers at the front of the secular movement who have demanded punishment for those committing genocide. Pair with an essay from Hasan Altaf about how celebrating literature can be a form a protest.
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
Blue Ivy was the one who made the headlines, but she’s not the only Beyoncé Knowles story this week. Australian researcher Bryan Lessard has paid tribute to the singer by incorporating her name into the binomial nomenclature of an extremely rare horse fly. When asked why he did this, Lennard responded that the fly’s gold-colored abdomen made it “the all time diva of flies.”
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions’ own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
“If Nietzsche was right that we need our illusions, I’ll go one further and posit that we need our illusionists: to disprove our eyes, investigate our dreams, and sometimes charm the money from our pockets.” Here’s a fantastic essay from The Rumpus on psychics, love spells, and easy exits.
“Hamlet’s famous last words—’The rest is silence’—are less punning than ironic, since both his parting, eloquent gasps and his death play out amidst a growing bassline beat. ‘What warlike noise is this?’ Hamlet asks as the poison takes hold. The drums and commotion signal the arrival of the Norwegian crown prince Fortinbras, who bursts into the quiet of the massacred Danish court. From the beginning of Hamlet, we’re taught to think of sovereignty as a manipulation of sound waves.” What does silence mean in this age of constant digital noise? The Literary Hub takes a look.