April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
Against Writers’ Houses
Flaws of Hitch
The recent passing of Christopher Hitchens has led to numerous praiseful eulogies. Many have been (and he would’ve hated this…) hagiographic. Now, in an article for The Nation, Katha Pollitt seeks to “complicate the picture … at the risk of seeming churlish” to allege that the man “had virtually no interest in women’s writing or women’s lives or perspectives.”
●
●
Rimbaud in Ethiopia
From The New York Times Travel section, a look at the Ethiopian city where Rimbaud, the poet behind A Season in Hell, “finally found a kind of peace.”
●
●
Seeing Red
Wouldn’t it be nice if your brain just went ahead and created that pesky simile for you? For individuals suffering with synesthesia (a neurological disorder in which one sense is “cross-wired” with another, such as seeing the color red or hearing a sour taste) the brain does just that. Here’s a piece from Electric Literature that takes a look at synesthesia, substances, and seeing the world askew.
Wharton is the Original Gossip Girl
On this week’s New Yorker Out Loud podcast, Rebecca Mead recommends (seriously) Edith Wharton’s The House of Mirth — “the real thing” — for teen-readers who love the Cecily von Ziegesar Gossip Girl series.
●
●
Edgar Allen Poe’s House on The Wire
●
●
Colson Whitehead on Making Eccentric Ideas Plausible
Colson Whitehead reflects on the fantastic fiction he consumed as a child and how it made the most eccentric ideas seem plausible.
●
●
●