April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
Three finalists have been named for this year’s $10,000 Albertine Prize: Eve Out of Her Ruins by Ananda Devi, The Heart by Maylis de Kerangal, and Bardo or Not Bardo by Antoine Volodine. Voting is open until Sunday, April 30th. Also, you can read more about Volodine’s work courtesy of Grant Munroe.
John Jeremiah Sullivan is working on abandoning the "slightly exaggerated pastiche of himself as narrator" that's driven most of his essays so far.
"But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion."
“Writers such as Gary Lutz, Diane Williams, Christine Schutt, and Noy Holland palpably employ, in somewhat different but observable ways, the strategy [Gordon] Lish calls ‘consecution,’ the focus on constructing and linking sentences by considering sound and rhythm as well as sense.” At Full-Stop, Daniel Green examines the editor's influence in a piece on Noy Holland’s new book.