Cole Stryker‘s Epic Win for Anonymous: How 4chan’s Army Conquered the Web looks into one of the internet’s most infamous image boards. Housing Works Bookstore will be hosting a party in September to celebrate its launch. To tide you over, you can check out the author’s interview at Betabeat.
“People in the publishing industry were complaining that ‘everyone is a writer now.’ I thought, well, why fight that? Isn’t that a good thing?” Andy Hunter, Publisher & COO of Catapult, Publisher of Literary Hub, and Co-Founding Chairman of Electric Literature, talks about the impetus for his three ventures.
“I struggled, quite a bit, writing this review. Reviewing books, while easy in certain ways — you have certain aspects of form to follow, there are certain features of books that cannot go unremarked: one must write about character, about language, about technique — and really a rather simple process (much simpler, it would seem, than writing books), can also be a pain. Especially, frustratingly enough, when the book is really good.” On Lola Lafon’s We Are the Birds of the Coming Storm.
Max Linsky interviewed Riddle of the Labyrinth author Margalit Fox about the other career she’s had for eight years: obituary writing. Fox remarks on how obituaries have grown from being “the bastard stepchild of American journalism” into “the best gig” in the entire industry. Here’s one of my favorite Fox obituaries, by the way.
Recently Salman Rushdie spoke at a conference in Delhi. He had been scheduled to appear with the Pakistani politician Imran Khan, who later pulled out of the event citing the “immeasurable hurt” that The Satanic Verses had done to Muslims. Rushdie, who had earlier been prevented from attending the Jaipur literary festival for fear of his presence inciting a riot, dismissed Khan’s claims: “The chilling effect of violence is very real and it is growing in this country.”
On the occasion of Scribner’s publication of the “Restored Edition” of A Moveable Feast, Gioia Diliberto, biographer of Ernest Hemingway’s wife Hadley, writes of her discovery of the Hadley Hemingway tapes.Sarah Schmelling’s McSweeney’s piece “Hamlet (Facebook News Feed Edition)” has spawned a book Ophelia Joined the Group Maidens Who Don’t Float: Classic Lit Signs on to Facebook, the canon retold in social networking parlance.Speaking of the canon, The Second Pass plays devil’s advocate and tells us which of history’s most praised books are best avoided. (We will pass over in silence the inclusion of One Hundred Years of Solitude.)Mark Athitakis writes about the National Book Award in 1980, “an interesting time for the prize.” The previous year, publishers pulled out of the awards, contending according to an NYT article, “the awards favored little-read books.” (This criticism resurfaced in 2004.) After 1980, the festivities ballooned to eight fiction categories before eventually being scaled back in subsequent years. (via Maud)In Slate, Nathaniel Rich wonders why “the most peaceful people on earth [Scandinavians] write the greatest homicide thrillers.”The “Significant Objects project,” in which worthless trinkets are sold on eBay along with original fiction written about said worthless trinkets, has launched. Participants include Curtis Sittenfeld, Lydia Millet, Matthew Sharpe, Sam Lipsyte, and a few dozen others. The eBay auctions can be found here.