Cole Stryker‘s Epic Win for Anonymous: How 4chan’s Army Conquered the Web looks into one of the internet’s most infamous image boards. Housing Works Bookstore will be hosting a party in September to celebrate its launch. To tide you over, you can check out the author’s interview at Betabeat.
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.
Look, we get it. You’re as sad as the rest of us that Frank Ocean’s new album didn’t actually drop on Friday. Luckily, there’s a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: “Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility.”
For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
In an interview with Big Think back in 2008, David Remnick said of Philip Roth that the writer “would have been my father had Philip Roth not been a literary intellectual but rather an orthodontist in North Jersey.” At The New Yorker’s website, Remnick eulogizes Roth’s work upon his retirement. (Keith Meatto did the same thing for us.)
Some of the best novels out there — Huckleberry Finn, Of Mice and Men — deal largely with fictional friendships. Yet depictions of close friends that are central to the plot are considerably rare in modern novels. At The Guardian, AD Miller notes this isn’t the case for movies and TV shows, and suggests a number of reasons why. You could also read our own Kevin Hartnett on friendship in the age of Facebook.