Franz Kafka liked to drink milk as he wrote. Walt Whitman liked a breakfast of cold meat and oysters. Marcel Proust was an espresso addict. This info graphic from The New York Times raises the question: what do you snack on as you write? You might also want to snack as you read that article, so check out our own Lydia Kiesling‘s piece from last April.
In 1958, the Indian writer Yashpal published the first installment of This Is Not that Dawn, an eleven-hundred-page novel and feminist epic written in Hindi. The book presages many of the biggest controversies affecting India today. At Page-Turner, Karan Mahajan reads the novel, explaining why he believes it to be "the greatest long novel about India." Related: Mythilo G. Rao pays a visit to the Jaipur Literature Festival.
"It’s about what they call Native Excellence — and creating a path to it with its own expectations and standards, instead of relying on those established by white academia or publishing." BuzzFeed News wrote an in-depth feature on the Institute of American Indian Arts (IAIA), which offers the US's first indigenous-centered MFA program, Terese Marie Mailhot (author of Heart Berries: A Memoir), and Tommy Orange (author of There There). Read our interview with Marcie Rendon about writing a representative novel for today's Native Americans.
For me, the call of Southern literature comes strongest in the dog days of summer, when the days are long and when the sun is burning. This year, it seems that the literary community has taken note: five representatives from the region’s “great independent bookstores” have gotten together to recommend the Southern books they’re craziest about this year.
Out this week: The City of Mirrors by Justin Cronin; Sweetbitter by Stephanie Danler; The Summer Guest by Alison Anderson; This Too Shall Pass by Milena Busquets; Dear Fang, With Love by Rufi Thorpe; and Smoke by Dan Vyleta. For more on these and other new titles, go read our Great 2016 Book Preview.
"Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not ... When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone." This excerpt from Jillian Keenan's Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
"I was enrolled in a writing program to imagine a cultured life, not just to dream about the rewards of being a writer." Rigoberto González for Publisher's Weekly on why he attended and later returned to teach at a M.F.A. program.