New this week is Evelyn Toynton’s The Oriental Wife, a novel of Jewish refugees from Hitler’s Germany, landed in New York. Also out is Grant Morrison’s Supergods, a scholarly exploration of comic book superheroes.
We are longtime fans (and participants) of The Morning News's Tournament of Books, and so were thrilled to learn they're starting up a summer book club with a ToB twist. Join them in reading Katie Kitamura's A Separation and The Night Ocean by Paul La Farge, starting in just a week and a half.
Out this week: Dinner at the Center of the Earth by Nathan Englander; Sourdough by Robin Sloan; Border by Kapka Kassabova; A Legacy of Spies by John le Carré; and Sing, Unburied, Sing by Jesmyn Ward. For more on these and other new titles, go read our most recent book preview.
“Andre Dubus's literary superpower is to hit upon that one thing about a character that makes him him, or her her. And in so doing, with subtle, clever details—breadcrumbs on the trail to the nucleus of a character—he makes a reader want to keep going, because she knows exactly who these people are and has to know what happens to them.” On the Selected Stories of Andre Dubus.
Ohio poet Stanley Gebhardt accused Violent J, a member of Insane Clown Posse, of stealing his poem, “But You Didn’t,” nine years ago and attempting to pass it off as his own. The poem was originally published in A 2nd Helping of Chicken Soup for the Soul. Bonus: Kent Russell's dispatch from "The Gathering of the Juggalos."
"All war literature, across the centuries, bears witness to certain eternal truths: the death and chaos encountered, minute by minute; the bonds of love and loyalty among soldiers; the bad dreams and worse anxieties that afflict many of those lucky enough to return home." In an omnibus review for The New York Times Michiko Kakutani looks at the fiction and journalism being written about the wars in Iraq and Afghanistan, including recent Year in Reading alum and National Book Award winner Phil Klay's Redeployment and Dexter Filkins’s The Forever War, "the one book that most fluently and kaleidoscopically captures both the micro and the macro of Iraq." She also wonders, and attempts to explain, "why has there been no big, symphonic Iraq or Afghanistan novel?"