“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
Think your novel could use a language of its own, but don’t have the philological powers of Tolkien? Then take a few lessons from Game of Throne‘s resident linguist, David J. Peterson, who turned George R.R. Martin‘s 55 Dothraki names into a 4,000 word vocabulary with a working grammar.
This essay from Adrian Barnes at The Daily Beast on cancer and fiction and how the two mirror one another is eerie and fascinating. This review of Rebecca Solnit’s The Faraway Nearby from The Millions addresses this tendency of writing and real world illnesses to feed of of one another.
A teacher’s charming poem in which he winds the imaginative grammar and spelling of his students into a feast of clever words. (via)A cornucopia of palindromes. “Rot can rob a born actor” and many, many more. And don’t miss the Palindrome Drama at the end of the page.Stephen Schenkenberg looks at how people find his blog… “how+do+you+construct+buried+alive+escape+tunnel” ???The 13-number ISBN is the book industry’s Y2K. For more details, see my post from 2004.Ed plumbs bad Amazon reviews, a never-ending ending font of humor.
It appears that our own Sonya Chung’s consideration of underappreciated Russian writer Sergei Dovlatov played a role in getting one of his stories published in a forthcoming issue of PEN America.