“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
Treme vs. The World
The Art of the Adaptation
For The Guardian, Adrian Horton asks: how modernized should literary adaptations be? What liberties is it okay to take?
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Interview With Charles McNair
Over at Bloom today, a lively Q&A with Charles McNair, whose Pickett’s Charge was the subject of Kevin Hartnett’s recent review here. In particular, McNair takes us through the harrowing blow by blow of his road to publication, the “sophomore jinx story” from a Pulitzer Prize-nominated author.
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From Russia with Love
Take a break from watching the snowboarding and skating at the Winter Olympics, and read some Russian literature instead. At NPR, Andrew D. Kaufman recommends three books to learn more about the Caucasus. For more on Russian literature, read our own Nick Moran’s essay on duels in Russian fiction.
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A Shared Vernacular
Year in Reading alum David L. Ulin writes about how books forged a bond between him and his father. “Books are, have always been, a shared vernacular between us.”
Thee, Compared
Recommended Reading: Adam Bertocci presents alternate forms for Shakespeare’s 18th sonnet.
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The Atlantic., of all things, said something was boring. Oh, the irony.