“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
The second issue of Little Brother Magazine (edited by Millions emerita and Toronto resident Emily Keeler) features excellent fiction about scandal-plagued mayor Rob Ford. At The Atlantic Cities, Mark Byrne talks with Emily, who describes herself as “addicted" to the drama surrounding the mayor.
Like YA novels? Harbor a certain affection for the book publishing arm of McSweeney’s? Then you’re the prime audience for this excerpt of The Mermaid in Chelsea Creek, Michelle Tea’s contribution to the publisher’s new Mullens imprint. (Naturally, it’s the first in a trilogy.)
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. "As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood," writes the Los Angeles Times. Pair with Jason Arthur's essay on novels about work.