Legally sampling songs on a hit record is astoundingly expensive. As Kembrew McLeod and Peter DiCola note in Creative License: The Law and Culture of Digital Licensing, the Beastie Boys would have lost $19.8 million dollars because of Paul’s Boutique. (via BoingBoing)
After five years, Lev Grossman has released the final book in his Magicians trilogy, aptly reviewed in the Sunday Times by our own Edan Lepucki. At Slate, the Awl cofounder, Year in Reading alum and novelist Choire Sicha looks back on the series as a whole. After reading through all three entries, Choire poses a simple but hard-to-answer question: is main character Quentin truly the central figure of the books? It might also be a good time to read our interview with Grossman.
“Over the past thirty-five years alone, language from Frost’s poem has appeared in nearly two thousand news stories worldwide, which yields a rate of more than once a week. In addition, ‘The Road Not Taken’ appears as a title, subtitle, or chapter heading in more than four hundred books by authors other than Robert Frost, on subjects ranging from political theory to the impending zombie apocalypse.” David Orr writes for The Paris Review about Robert Frost’s “The Road Not Taken,” one of the most misread poems of the English language.
“I am going to propose: The rigmarole is truly underexploited. Everyone should write a ‘Conversations with Drummond’ about themselves and about every opinion-spouting person they know. For the historical record. For revenge. For the children. Especially if you’re well-known, or right in the middle of the action, or both.” Anthony Madrid for The Paris Review looks at Ben Jonson, William Drummond, and the rigamarole.
“In the first few days of ‘publicly’ reading the book, I only received quizzical stares and saw people putting glasses on or slouching in their seats to better read the cover. It just so happened that it wasn’t until Black History Month that those silent stares turned into vocal encounters and my light commuter reading turned into a bit of a social experiment.” Recommended reading: Lauren A. White’s experience of reading How To Be Black in public.