In the Times, Virginia Heffernan bemoans how technology and the economic struggles of the publishing industry are leading to an increasing number of typos in books. However: “The Pollyannish upside to writerly inattention and cutbacks in publishing, then, is that readers sometimes see more of the human writer, and less buff and polish.”
This Splitsider interview with Clarissa Explains It All creator Mitchell Kriegman is fantastic. Among the many revelations that come out of the interview is this gem: “The most amazing person that you would never guess worked on the show was [The Hunger Games author] Suzanne Collins. She was the quietest, nicest person. Like having JK Rowling working on your show!”
“I couldn’t help but feel that technology had circled back to some of its earliest purposes: broadcasting anti-black violence as widely as possible, as both entertainment and warning.” Our own Ismail Muhammad writes for Real Life about the tension between bearing witness and perpetuating paradigms of white supremacy while on the web. And if you haven’t yet read it, do spend some time with this review of Nate Marshall‘s Wild Hundreds, which provides some fortification.
“My father’s life intersected with a century of conflict, horror and invention. He deciphered these histories for me, making me his scribe in a new century. My successes were his successes, and his stories thrum in every word I write. He taught me to see like a writer, to be attentive to the stories that spring up everywhere … It’s an attentiveness to the world, to ordinary suffering, to the love that persists in its midst. My sense of the world, of history and humanity flows from this awareness — and the attendant grim humor — my father used as his guiding lamp in the darkness cast by racism and poverty.” Over at The New York Times, Walter Mosley recalls the lessons taught to him by his father, Leroy.