In the Times, Virginia Heffernan bemoans how technology and the economic struggles of the publishing industry are leading to an increasing number of typos in books. However: “The Pollyannish upside to writerly inattention and cutbacks in publishing, then, is that readers sometimes see more of the human writer, and less buff and polish.”
Out this week: The Season of Migration by Nellie Hermann; Uncle Janice by Matt Burgess; The Secret Wisdom of the Earth by Christopher Scotton; Driving the King by Ravi Howard; Against the Country by Ben Metcalf; God Loves Haiti by Dimitry Elias Léger; A Pleasure and a Calling by Phil Hogan; Wildalone by Krassi Zourkova; and Almost Famous Women by Year in Reading alum Megan Mayhew Bergman. For more on these and other new titles, check out our Great 2015 Book Preview.
Cairo bookstore Bab Aldonia has installed a soundproof room for its customers in which, MobyLives reports, “anyone can go and scream in privacy for ten minutes at a time.” An unsigned piece on the online magazine Cairoscene notes that working out one’s frustrations within the safety of its walls “may prove just as effective as regime change.” The stakes are considerably lower, but if you’re a fan of indie booksellers, you’ll also enjoy our piece about bookstores we have known, loved, and worked for.
How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.