In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books’ content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.
The Pandora of Books
Coffee House + Emily Books
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature‘s “2015 Indie Press Preview.”
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“My school was on fire.”
Recommended Reading: Everything being written by Delaney Nolan – the most recent example of which being “I Was a Teenage Arsonist.”
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Sensitive Issues
You may have heard that Jess Row has a new book on shelves. The plot follows a man who undergoes a surgical procedure to change his race. In an interview at Guernica, the author talks to Grace Bello about writing and race, teaching in Hong Kong and what it means to grow up in Baltimore. You could also read the author’s Year in Reading entry.
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Move It
“These days, nothing says amateur hour quite like an alphabetical bookshelf.” Sloane Crosley does not have packing tips for you, though she does have some book recommendations.
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Gently Simmer
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Amazon or perish?
ICYMI: After Hachette writers banded together behind their publisher (piles of tweets, an author petition (pdf), a perplexing Malcolm Gladwell YouTube clip, and of course our own Edan Lepucki in Stephen Colbert’s pre-order campaign), Amazon proposed giving authors “100% of proceeds” from ebooks — that’s including Hachette’s share — while they hashed things out. You gotta admire that gumption. Halfway around the world, a French court order just banned free delivery for discounted book orders–so Amazon now charges one cent. Also: they’ve got drones. The Times concludes that if you can’t beat ’em, join ’em.
Certain Loyalties
In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature — the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)
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