It’s hard to write when the internet beckons. So has said Dani Shapiro and our own Emily St. John Mandel. Colson Whitehead doesn’t necessarily agree, however. Ditto for our own Kevin Hartnett. Now the folks at Electric Literature have thrown in their two cents.
The Internet v. Writing
Creative Person, Creative Life
"How is the life of a creative person—an artist, a designer, a composer—related to his or her work?" The New Yorker lists 7 archived pieces by way of answer.
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The Author Talks Back
Recommended Listening: Over at WYPR, Baltimore’s NPR member station, White Trash author Nancy Isenberg responds to Michael Bourne’s Millions review of her book. Her comment starts a few seconds before minute twenty-seven.
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Amazon Cloud Storage
Amazon now wants to be the home for all your music files. The online retail giant just announced a new storage initiative that lets you have 5GB of free online storage and the "Cloud Player" so you play all your stored music from the web.
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“A sports version of The Awl”
Step aside, Grantland. There's a new alternative sports site in town.
The Ambitions of Oscar Wilde
“I won’t be a dried-up Oxford don, anyhow. I’ll be a poet, a writer, a dramatist. Somehow or other I’ll be famous, and if not famous, I’ll be notorious.” -Oscar Wilde on rejecting a career as a classics scholar. (via Book Bench)
Tuesday New Release Day: Waldman, Kline
A pair of debuts are making waves this week. Amy Waldman's The Submission ponders an alternate present in which a Muslim man is the anonymous winner of the search for a design to build the 9/11 memorial at Ground Zero. Ernest Kline's Player One is a "genre-busting," pop culture-infused take on the virtual reality future that awaits us.
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DFW on Writing Nonfiction
"I'm not a journalist, and I don't pretend to be one, and most of the pieces in there were assigned to me by Harper's, with these sort of maddening instructions of, you know, just go to a certain spot and kind of, you know, turn 350 degrees a few times and tell us what you see." Tom Scocca posts a five-part transcript of a phone interview he did with David Foster Wallace in February 1998. (Thanks, Nick.)
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