It’s not easy being a seagull. Over at the London Review of Books, Mary Wellesley takes a sympathetic look at how the much-maligned bird has been treated throughout the history of literature. Afterwards, let this essay from The Millions by Kristen Scharold on the joys of birdwatching lift your spirits a bit.
“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
You may have heard that “because” is a preposition now, because Internet. What you may not have heard is that the American Dialect Society named “because” their Word of the Year. Their reasoning? The word’s new meaning allows us to omit full clauses, which makes it useful. (Hilariously, they also named Sharknado the “most unnecessary” new word.)
Psychotherapist Ariel Garten redefines consciousness at TEDx Toronto. “The problem with escaping your day-to-day life,” she says, “is that you have to come home eventually.” Her question, which she answers in the affirmative, is whether we can “find ways to know ourselves without the escape? Can we redefine our relationship with the technologized world in order to have the heightened sense of self-awareness that we seek? Can we live here and now in our wired web, and still follow those ancient instructions: ‘Know thyself’?”