“The book business is a cork floating on a digital device stream,” writes Mike Shatzkin. Is publishing living “in a world not of its own making?”
Shatzkin on Digital Revolution
Shirley Jackson: Great American Novelist?
Laura Miller at Salon explains why she would choose the novels and stories of Shirley Jackson to be stuck with in an isolated cabin over those of Roth, Cheever or Carver.
Are You Sure?
“Are you sure you need to give me that summer reading list-library flyer-academic camp brochure? Are you sure that I can’t just let my kids get dumber by 1/3rd until they come back here in the fall like we all used to?” Are you sure there isn’t anything I can do? Welcome to every teacher’s nightmare, courtesy of McSweeney’s.
●
●
The Art of the Novella
Taylor Antrim at the Daily Beast explores the art and business of the novella, and offers up a few recent “unexpectedly revelatory” suggestions.
●
●
Downthread
It’s notable when a respected magazine publishes a short story written in the form of a comment thread. It’s even more notable when the author of that story is Bobbie Ann Mason. At The Nervous Breakdown, new fiction from the author of Shiloh and Other Stories.
What’s Next? The KGB Bar Run By the Real KGB?
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.
●
●
“Ephphatha!”
Recommended Reading: “Saliva” by Álvaro Enrigue, whose English-language debut Hypothermia was published this month by the folks at Dalkey Archive Press.
●
●