Janet Reitman, a contributing editor to Rolling Stone, spent five years researching Inside Scientology, which is reviewed here by Brook Wilensky-Lanford for The San Francisco Chronicle. Earlier this year, ‘Million Dollar Baby‘-screenwriter Paul Haggis spoke with Lawrence Wright of The New Yorker about L. Ron Hubbard‘s religion.
Meet Philip M. Parker, a marketing professor at INSEAD Business School and the man whose name graces the covers of over 100,000 books. Is he the most prolific author of the modern age? Well, kind of. Thanks to “a computer system that can write books about specific subjects in about 20 minutes,” Parker and his company have combined to create over 800,000 titles currently listed on Amazon – including such works as The Official Patient’s Sourcebook on Spinal Stenosis and Webster’s Icelandic – English Thesaurus Dictionary.
“There’s no doubt that Life A User’s Manual takes an approach to depicting reality that is very different from the standard realist novel, which we have been conditioned to believe is the best and most-preferred way of representing our world…Though not without its enlightening aspects, this conversation has generally fallen into a simplistic dichotomy, where realist writing is described as giving us the real world of everyday life, and anything other than realist writing is seen as directing its energies toward a vague something that no one cares to define very well.” A look at Oulipo and its legacy from Lauren Elkin and Scott Esposito, who recently wrote an Oulipo-themed Year in Reading for us.
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.