In The New York Times Magazine, Heather Havrilesky cautions against “The Divorce Delusion,” or one of modern drama’s most unrealistic tropes. “Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell,” she writes, “that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm.”
For those of you who won’t rest until you find out the truth about how Chris McCandless died, know that neither will Jon Krakauer. His recent discoveries appear in the afterword to a new edition of Into the Wild, released in 2015. Also check out this Millions essay on extreme survival books.
Joe Kubert died this week at the age of 85. Perhaps best known as the DC comics legend responsible for such characters as Sgt. Rock, Hawkman, Enemy Ace, and Tor, Kubert was also the founder of The Kubert School, the only accredited trade school for comic book artists in the country. You can check out a video of Kubert talking about digital comics over here.
Claudia Rankine’s new book of poetry, Citizen, is getting a lot of attention in part due to its meditations on race in modern America. In the latest issue of BOMB, Lauren Berlant interviews the poet, asking her about micro-aggressions, Kara Walker and the implicit tone of the word “citizen.”
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante's Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.