In The New York Times Magazine, Heather Havrilesky cautions against “The Divorce Delusion,” or one of modern drama’s most unrealistic tropes. “Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell,” she writes, “that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm.”
Patty and Walter, anyone?
At Home with Sara Borjas
In an interview with Leticia Urieta, poet Sara Borjas reflects on writing about love, family, and identity, as well as building a Latinx community.
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Has Odds, Will Bet
As previously reported, Haruki Murakami is favored to win the Nobel Prize in Literature seven-to-one. For more on the dubious practice of betting on literary awards, see this interview from last year with an employee of the London-based company responsible for calculating the odds.
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Joke’s On You
“How many male novelists does it take to screw in a lightbulb?” At The Toast, Mallory Ortberg writes some great jokes to use at your next cocktail party.
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On the Family
Cynthia D’Aprix Sweeney introduces us to a few of literature’s dysfunctional families at Electric Literature. For a loving family relationship, check out an interview with Phillip and Lily Lopate, collaborators on Every Father’s Daughter.
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A Detestable Dichotomy
Paulo Coelho recently condemned Ulysses for being all style and no content. In response, Ali Smith makes the case for style.
Prepare for Departure
What’s the best book Mary Roach has read recently? Tim Johnston’s first novel, Descent: “I read the last 30 pages in an airport, 10 feet from the gate, and did not notice the boarding announcements. I missed my flight for literature.” Bonus: Here’s Roach’s interview with The Millions from a couple of years back.