The publishers Hamish Hamilton/Penguin UK have begun a “social media experiment” in which they’ll use PeerIndex to single out “influencers” to review and promote books. “Influencers” will be determined by the breadth and reach of their social media presence, and they’ll be selected based on their relevance to certain books. This kind of marketing is exactly what Eli Pariser warns about in The Filter Bubble. (For a quick summary, listen to his TED talk.)
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante's Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.
Who among us hasn't considered turning to jewel thievery and the heisting life during some of our weaker moments? Over at The Daily Beast, Geoff Manaugh takes a look at why we all secretly dream of becoming jewel thieves. If you enjoyed this heist story but you found it lacking in Ben Affleck, then here's a piece on his true-crime flick The Town and bad drama.