“More than 30 years after her last big swim, Diana Nyad is back in the water,” writes NPR’s Greg Allen. “Nyad, a former commentator for NPR’s Morning Edition, became well-known in the 1970s for her swim around Manhattan Island and, a few years later, for swimming from the Bahamas to Florida. Now, at age 61, she’ll soon be attempting a 103-mile swim from Cuba to Key West.” Unfortunately she’s already missed Key West’s Hemingway Days.
NPR Commentator to Swim from Cuba to Key West
Adventures in Publishing
At My Life and Thoughts, Elif Batuman–in delightfully Elifish style–describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.
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Selfie Sadism
Did David Foster Wallace predict our anxiety over selfies? At The Wire, Danielle Wiener-Bronner argues that Wallace was prescient in Infinite Jest. Although videophony, his concept of video-chatting, isn’t the same thing as a selfie, the paranoia over looking good is strikingly current. “This sort of appearance check was no more resistible than a mirror. But the experience proved almost universally horrifying. People were horrified at how their own faces appeared on a TP screen.”
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Life and Fate and Life and Fate
Stephen Dodson wasn’t the only one inspired to write about Vasily Grossman’s Life and Fate this month. Over at The New Republic, Adam Kirsch calls Grossman’s masterpiece one of the world’s “very greatest Holocaust novels.”
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Magical Journalism
“But where Smiley condescended, others were enthralled. Salmon Rushdie waxed lyrical, John Updike found it ‘stunning,’ Susan Sontag hosted him at dinner parties. Gabriel Garcia Marquez dubbed him, simply, ‘the Master’ – high praise from the founder of magical realism, but Kapuściński seemed to one-up Garcia Marquez by injecting magic into real politics, and elucidating thereby the human tension and bewilderment connected to power that traditional journalism left hidden.” Ryszard Kapuściński: novelist? Journalist? Or something else entirely?
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Nit-Pick
Why does the new Liam Neeson film use a hyphen in its title? According to AP Style, “nonstop” is one word, yet the film is marketed stateside with a hyphen stuck in the middle. At Slate, L.V. Anderson looks into a typographic mystery.
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Revisiting the Archive
Recommended Listening: Esquire has a new podcast on classic stories from their archive. The latest installment features Nick Flynn on F. Scott Fitzgerald’s The Crack-Up, which first appeared in the magazine in 1936.
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On the Rise and Fall of John Horne Burns
How do you describe the life and times of John Horne Burns? He was in turn a military intelligence officer, a schoolteacher, a critical darling after he published The Gallery, a pariah after he published anything else, and a gay man in post-WWII America. In characteristic concision, Ernest Hemingway summed the whole thing up thusly: “There was a fellow who wrote a fine book and then a stinking book about a prep school, and then he just blew himself up.”