“More than 30 years after her last big swim, Diana Nyad is back in the water,” writes NPR’s Greg Allen. “Nyad, a former commentator for NPR’s Morning Edition, became well-known in the 1970s for her swim around Manhattan Island and, a few years later, for swimming from the Bahamas to Florida. Now, at age 61, she’ll soon be attempting a 103-mile swim from Cuba to Key West.” Unfortunately she’s already missed Key West’s Hemingway Days.
NPR Commentator to Swim from Cuba to Key West
Working Title
Our own Hannah Gersen writes for Catapult on titling her debut novel, Home Field. As she puts it, “The idea that a title could dissuade a reader was not something I had even considered.” Pair with Bill Morris’s Millions interview with the author.
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So I’m Reading with an Axe Murderer
Matt Seidel has a helpful guide for book clubs across the country: How To Tell If Someone In Your Book Club Is a Homicidal Maniac. One possible clue? He contributes to the Water for Elephants discussion by “telling anecdotes about torturing animals as a child.”
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Help Save Langston Hughes’s Home
You can help preserve Langston Hughes’s home in Harlem through this Indiegogo campaign. Pair with our own Tess Malone’s review of Tambourines to Glory.
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What’s In the Trunk?
Recommended Viewing: Alejandro Cartagena’s photo series, “The Car Poolers.”
On Ruined Pianos and Literary Fêtes
The Paris Review will soon move into a new office space, and while preparing for the relocation, some staffers discovered “a batch of small, white booklets” entitled “The Paris Review: Twenty Year Index, Issues 1-56.” The lists seemed to indicate everything that had been published in the magazine during its first 23 years of existence, and they also featured an introduction from founder George Plimpton – an introduction, by the way, that really depicts the Review of old better than any photograph ever could.
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That Old Imperial Impulse
“The notion that American literature might have an imperial bent—that it might be anything other than a string of lightly co-influential works of ‘imaginative power,’ and might itself reflect our national desire to dominate—is lost on its critics, both right and left.” Jonathan Sturgeon in The Baffler on American exceptionalism and “the imperial self” in fiction, with particular attention paid to the work of two other Jonathans, Franzen and Safran Foer.