The popular European music site Spotify debuted in the US last week, and already the fine folks at GalleyCat have made a Haruki Murakami playlist.
The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
Last week, popular science fiction author John Scalzi wrote a contentious (but necessary) blog post that likened the lives of straight white males to “the easiest difficulty setting” in the “videogame” known as life. While comments on the original post had to be closed due to uproar, the piece was reposted to Kotaku where the discussion rages on.
The August issue of Open Letters is available. Nestled amidst the literary fare are early Oscar nominations from Sarah Hudson and a piece on the video game The Sims by Phillip A. Lobo.Electric Literature teamed up with animator Jonathan Ashley and musician Nick DeWitt to produce an animated trailer for Jim Shepard’s “Your Fate Hurtles Down at You,” a story which appeared in the literary magazine’s first issue.BOMB Magazine has a conversation between poker buddies Nam Le and Charles D’Ambrosio.Years ago, we wrote about La Porte, Indiana, a nifty book with a connection to Found Magazine chronicling a cache of found photographs from a small town. Now the book is being made into a documentary.Nicholson Baker has written the funniest piece yet about the Kindle. Ed initially takes umbrage (and gets comments from Baker and recants somewhat). YPTR weighs in as well.Spoiler Alert: neojapansme, a provider (along with our own Ben Dooley) of quite a bit of insight into Murakami’s new (and untranslated) novel 1Q84 has published a review of the book.Millions Fans: The Millions Facebook group now has over 400 members. We’ll be asking group members to help us with some upcoming special features, so join up (if you’re into that sort of thing.)Shatner… Palin… Twitter… bongos… need we say more?
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
When restauranteur Elaine Kaufman was alive, she gave writers a refuge at her favorite spot, Table 4. Even though the restaurant and Kaufman are long gone, her memory and devotion to writers live on with the Table 4 Writers Foundation. The foundation gives out $2,500 grants to writers at a gala at the New York Athletic Club on March 27. The 2013 winners include, “Bound” by Karen Yin, “Gotham Mexico” by Danny Thiemann, “Kim of Noho” by Kurt Pitzer, “Parkside” by Jennie Yabroff, and “Rent Control” by Matthew Perron. Additionally, several of Elaine’s regulars will be honored, including Mary Higgins Clark, Carol Higgins Clark, Stuart Woods, Chazz Palminteri, and Richard Dreyfuss.
“Publishing is also an industry that selectively values a kind of swaggering authenticity that would never capitulate to demands for something so banal as being nice. But authenticity is too often a short hand for callous, aloof, or honest for the purpose of cruelty rather than truth-seeking.” Alana Massey writes about the “niceness” of publishing.