U.S. publishing house Little, Brown had a rough day in the news yesterday. Its coy marketing tactics have rubbed some booksellers the wrong way, reports Julie Bosman for The New York Times. Later on, The New York Post‘s Keith J. Kelly noted that the publisher has dropped one of its bigger titles. Jason Bennett raises some additional questions.
Little, Brown in the News
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The Clack of Great Art
Recommended Reading: this new anthology of art created with a typewriter.
Summer Knowledge
Recommended Reading: John Ashbery on just about anything. Specifically, though, this piece on Delmore Schwartz and the pain of poetry is as good a place as any to get familiarized with both writers.
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Dry Eyes
“My daughter spent some of this summer performing a dance, which she learned at summer camp, to a certain song by Shakira, called “Waka Waka.” It was earnest, funny, beautiful dance; however, I am, it seems, unable to watch my daughter perform her Shakira dance, to a song I don’t very much care for, without sobbing. There is no explanation for this excessive reaction—the dance is homely and human and not at all out of this world—but that the reaction is about beauty, and joy, and potential, and not sorrow. And this, it seems, is one aspect of what crying celebrates: the sublime.” Here is Rick Moody, life coach, from The Literary Hub. Here’s a recent Millions interview with Moody.
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After the last word
This weekend–at 2:30 am on Saturday, to be precise–Twitter bot @everyword was set to complete its 7-year run with the final word in the English language: “zymurgy.” Unexpectedly, the bot tweeted again half an hour later–with a nontraditional character it had surreptitiously glossed on the first run: éclair. Since @everyword, like Lazarus, probably won’t get the same fuss after its second death, check out The Guardian’s interview with creator Adam Parrish now.
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On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
Empathy for the Devil?
Ruth Franklin of TNR probes the weaknesses of American novels about terrorism.
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