New Directions turned 75 yesterday, so here’s a look back on the history of their colophon. In other birthday news, Iris Murdoch was born on this day in 1919, and tomorrow The Catcher in the Rye turns 60.
Graywolf Press – the publisher behind Citizen, The Empathy Exams, The Argonauts, and On Immunity: An Inoculation – has built a reputation as “a scrappy little press that harnessed and to some extent generated a revolution in nonfiction, turning the previously unprepossessing genre of the ‘lyric essay’ into a major cultural force.” Over at Vulture, Boris Kachka writes about the history of one of the nation’s leading independent literary publishers.
“A chemist colleague of mine runs a seminar in which art and science are brought together. And one such session was devoted to olfaction. And there was an olfactory physiologist from Columbia and a friend of his, a parfumier. Forgive my French accent. And the parfumier had made something unlike anything ever encountered on earth. And it had a very strong smell which aroused no associations and could not be compared to anything. One realized this was absolute novelty.” The Rumpus interviews Oliver Sacks about his new book, Hallucinations.
David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.
Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.