Robert Roper wonders whether or not Ernest Hemingway‘s death has “eclipsed his work.” Elsewhere, Melville House wonders whether or not the FBI had something to do with it. The author’s influence is as apparent today as ever before, though perhaps it’s not his death that endures, but rather his perceived masculine mystique.
Idolizing Hemingway
Time Traveling in Octavia Butler’s ‘Kindred’
A More Sinister Effect
It’s not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here’s an older piece from the same series in which Paul Lisicky writes about Flannery O’Connor and her “flawed characters.”
Amazon’s First-Half Top 10
Amazon has named its Best Books of 2010… So Far (that’s January through June).
The Familiar Foreigner
“Familiar, well-behaved stories are dressed in nice book covers and sent to our bookstores; from there they march to our homes in an orderly manner.” On Chinua Achebe, Chimamanda Ngozi Adichie, and how publishing understands the immigrant narrative. Pair with our review of Adichie’s second novel, Half of a Yellow Sun.
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Pre-Anderson
Who else read the biographies of historical figures as a kid and felt bad about not having learned Greek and Latin by age ten? Would you like to feel worse?
“Oh, you Irish—you’re such MAR-velous storytellers”
The Testament of Mary author Colm Tóibín was interviewed as part of the President’s Reading Series at Johns Hopkins University, and he spoke about the difference between “being a reader, and being an Irish reader.”
As an animal lover I’ve always thought it would have been poetic justice if a rhino had shot him.