Madhu Kaza, a “writer, artist and educator,” has a possible solution for you. She’ll come into your home 15 minutes before bedtime and sit in a chair beside your bed and read to you from your favorite books until you fall asleep. Then she’ll let herself out and lock the door behind her. The free service is called Here Is Where We Meet, the title of a 2005 novel by John Berger. The only requirement is that you fill out a short questionnaire and make an appointment — and get ready to say goodbye to the sheep and the warm milk.
Having trouble falling asleep at night?
Answering Ophelia
Recommended Reading: Almost a century ago, two students at Oxford wrote back to Ophelia: “Ophelia racked with phantasy, / And Sigismunda, sick with rue — / Ladies, why did ye choose to die / When all the world was made for you?” Find out more about the poets Doreen Wallace and Eleanore Geach at The Toast. We recently wrote about why authors continually turn to Shakespeare.
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Rough Starts
We’ve talked about great opening lines before, but what about the rough starts? The American Scholar has listed the “Ten Worst Opening Lines” and believe it or not, they’re well worth reading.
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In Search of Lost Self
“I feel nothing. I think: What an ugly place for it to happen. I call it The Accident. I didn’t hear, or see, or feel any of it, or if I did, I stored it somewhere irretrievable even to me.” Gloria Harrison‘s essay “Where the Highway Splits” stuns over at The Rumpus.
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God Help the Child
Meanwhile, in the commonwealth of Virginia, HB 516 is currently sailing through state legislature. What began as one mother’s outraged response to her 17-year-old son’s AP English assignment–reading Beloved by Toni Morrison–has morphed into a bill which would require school districts to do three things: flag any “sexually explicit” assigned material, allow parents to review all assigned readings to assess perceived levels of sexual explicitness, and finally, require teachers to provide alternate readings/avenues of study for any students whose parents deem particular content too inappropriate.
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New Critical Flame
Issue three of The Critical Flame has arrived. Richard Nash’s review of Ted Striphas’ The Late Age of Print is a highlight.
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