It’s been one week since the “Friday Night Lights” finale aired on network television, and it seems as though the entire internet is grieving. Two Grantland pieces: an oral history and a tongue-in-cheek analysis; an opinion piece juxtaposing Peter Berg‘s low-rated drama against “Glee”‘s success; and now even The Paris Review has thrown its hat into the ring. All of this, of course, comes on the heels of our own Sonya Chung‘s piece last April.
Goodbye, Friday Night Lights
And Still I Rise
Via Galleycat we're watching the just-released trailer for the upcoming documentary Maya Angelou: And Still I Rise, which is scheduled to air on October 14th on PBS. Pair with this beautiful in memoriam we published upon her passing in 2014.
Dido’s Lament
Listen to Tessa Hadley read her story “Dido’s Lament” from the August 8th and 15th issue of The New Yorker. If you’re looking for the Aeneid, we recently had Virgil day here at The Millions.
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The Tactile Comic Book
A designer from Copenhagen, Philipp Meyer (not the novelist), has created the first comic book for the blind. “Most of the tactile material that is available for blind people is very information dense. It’s always about information and not often about art,” he says.
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Just In Time For Valentine’s Weekend
Katia Grubisic reviews The Poetry of Sex, which is Penguin’s new “carnal compilation” covering everything “from love-making to hay-rolling to cuckolding.”
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The History of the Blurb
What if Petrarch had blurbed The Divine Comedy, or Shakespeare, "author of Tony Award-winning sensation Hamlet," had reviewed Don Quixote? Tom Rachman imagines these blurbs and more for The Rumpus, and his piece pairs well with our brief history of the blurb.
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