It’s been one week since the “Friday Night Lights” finale aired on network television, and it seems as though the entire internet is grieving. Two Grantland pieces: an oral history and a tongue-in-cheek analysis; an opinion piece juxtaposing Peter Berg‘s low-rated drama against “Glee”‘s success; and now even The Paris Review has thrown its hat into the ring. All of this, of course, comes on the heels of our own Sonya Chung‘s piece last April.
“What I didn’t know then was that these decorations evolved from the Jewish menora, the Hebrew festival of lights. I don’t think my mother knew that either, but if she did she never mentioned it. And I certainly never contemplated the resemblance of a sleigh to a cradle. A sleigh is basically a very large cradle.” Mary Ruefle on Christmas trees.
James Gleick talks to one of the software engineers behind autocorrect, that "impish god" responsible for turning our ids to I'ds and moviestars to Natalie Portmanteaus. In response, Jen Doll wonders whether we love to hate autocorrect "because when it messes up we're happily reminded that phones and computers are not actually smarter than people."
This past Wednesday Tracy K. Smith officially began her term as the new U.S. Poet Laureate. After adding her name to the guest book traditionally signed by poet laureates upon the start of their one year term, she read aloud from previously published poetry collections and introduced new work. Ron Charles from the Washington Post reports "[a]mong her most powerful new pieces were 'found poems' constructed from archival letters that African American veterans sent to President Lincoln asking for pensions they were owed." Smith is the first poet laureate appointed by the new Librarian of Congress, Carla Hayden. Stay tuned for her upcoming efforts to engage rural communities in poetry discussions.