Chris Adrian‘s pedigree is impressive: former Harvard Divinity student; Iowa Writer’s Workshop graduate; current fellow in UCSF’s pediatric hematology/oncology department; lifelong fan of Shakespeare. He’s also found time to appear in The Paris Review, The New Yorker, and McSweeney’s. Great Night, his latest novel, imaginatively reboots A Midsummer Night’s Dream by setting it in San Francisco’s Buena Vista Park. Here’s some footage of him reading an excerpt at last month’s FSG Reading Series.
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky’s eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: “This notion of oneself as a kind of continuing career—something to work at, work on, ‘make an effort’ for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s ‘relationships’—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school.”
Denise Donlon writes on the day MuchMusic rocked the tube. Peter Mansbridge details when baseball player Jackie Robinson broke the color barrier. And Conrad Black outlines a train trip by Canada’s first prime minister. Those are but a few of the essays by well-known Canadian personalities in the new book 100 Days That Changed Canada (HarperCollins Canada), now in stores.
Some people may not have realized the Oscar nominated Call Me By Your Name was originally a novel. André Aciman wrote an essay for Vanity Fair on the process of watching his novel adapted into film, in particular what it was like watching the scene he calls the most important come to life. Read the essay plus what author Martha Southgate had to say about the novel for her 2007 Year in Reading essay. And then go see the film!
“What’s it like to write a novel in prison?” An interview with Daniel Genis addressing this and similar questions is online at The Airship. For more writing about and after prison, be sure to check out our own interview with Matthew Parker, author of Larceny in My Blood:A Memoir of Heroin, Handcuffs, and Higher Education.