The OUP’s blog has created a Truman Capote quiz. The idea is to match the author’s quotation with its literary victim.
Capote Quiz
Recommended Reading: Jesmyn Ward
Recommended Reading: An excerpt from Jesmyn Ward’s new memoir, Men We Reaped. “This is the summer of the year 2000. This is the last summer that I will spend with my brother. This is the heart. This is. Every day, this is.” Pair with: The New York Times profile of Ward.
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Je Ne Sais Quois
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.
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“Publish for readers, not authors.”
OR Books recently announced a forthcoming book from Wikileaks founder Julian Assange. Meanwhile, OR’s publisher, Colin Robinson, shares ten ways to “save the publishing industry.”
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Ludmilla Petrushevskaya’s Love Stories
“[Ludmilla] Petrushevskaya doesn’t write about isolated acts of depravity; she writes about universal ones,” says Michael Robbins in his review of There Once Lived a Girl. “What’s scary about her narratives is their implication that only the thinnest film, which might rip at any time, separates us from the chaos and breakdown they describe.” Our own Janet Potter also reviewed Petrushevskaya’s work this week, and she focused on the romantic hopes of its characters. “What’s remarkable,” Potter writes, “is not the love they find, but the fact that they’re looking for it.”
Patron Half-Elephant
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
Review another day
Reviews are still in the literary news, and in the midst of all the nicey niceness and plentiful hot air, Alix Ohlin got a real smack down in the Times for her new novel, Inside, and her new collection of short stories Signs and Wonders. Which prompted J. Robert Lennon to consider: How does one even write a good “bad” review?
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