It’s official: Borders has announced it will begin liquidating its 399 bookstores this week. Store closures could begin as early as this Friday and will continue through September, according to the Times.
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
In the near future, Google may use your surrounding sights and sounds to help advertisers target you. Over at Gizmodo, Mat Honan eloquently argues against just this type of thing, and states that “the case against Google is for the first time starting to outweigh the case for it.”
“The Books of Magic makes The Lord of the Rings, The Avengers, Harry Potter, and even Twilight all look like entries in the same broad genre of tween-superhero fantasy, in which someone insignificant gets mighty powers, fights the forces of evil, and ultimately triumphs. …The pop culture landscape starts to look like an endless row of Tim Hunters, the same successful formula applied again and again.” From The Atlantic, a look at how Neil Gaiman‘s The Books of Magic prefigured the runaway success of Harry Potter and the modern YA fantasy-adventure craze.
Can’t get your fill of end-of-the-world scenarios? Playboy has a list of five new books to give you your eschatological fill. We have a few recent pieces about literary apocalypses too: reviews of Alan Moore‘s Jerusalem (here) and Colson Whitehead‘s The Underground Railroad (here), and Dana Spiotta‘s interview with After James author Michael Helm. Go forth and destroy (in your minds).
“Every year, as Halloween draws near, I get to thinking about what makes books scary,” writes Ben Dooley in his introduction to Mark Z. Danielewski’s House of Leaves. It’s a book that “’gets’ existential horror,” Dooley claims. Intrigued? Well be sure to check out not only his review of the book, but also our interview with its author.