Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”
Booksellers React to Borders’ Bankruptcy
Balzac in the 21st Century
Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated–and will continue to generate–social novels of its own.
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The Economist and the Poet
The Economist has a nice interview with Farrar, Straus & Giroux publisher Jonathan Galassi. In it, he discusses the role of poetry in modern society, and how it’s still “something people perversely do.”
Girl Prodigies
Millions contributor Michelle Dean wrote for The New Yorker‘s Page Turner about Opal Whiteley, whose childhood diary–written when she was six on scraps of paper–was published over 100 years ago to meet with acclaim, then controversy, and then obscurity. If girl prodigies interest you as much as they do me, you’ll also love this 2010 piece from Lapham’s Quarterly, on Barbara Newhall Follett.
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Tuesday New Release Day: Mansbach, Christensen, Ball, Nom de Plumes
Adam Mansbach’s “viral,” tongue-in-cheek kids’ book for adults, Go the F–k to Sleep is now out. We interviewed Mansbach years ago, pre-frenzy, about other matters. This week also offers up a pair of much anticipated novels for the literary set, The Astral by Kate Christensen (don’t miss Edan’s interview with Christensen today) and The Curfew by Jesse Ball, and a rather specialized tome for fans of literary history, Nom de Plume: A (Secret) History of Pseudonyms.
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