Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”
Booksellers React to Borders’ Bankruptcy
Spinal Tap
“Who is this woman?…What yoga DVD did she escape from?” Chloë Schama criticizes the recent trend in book covers featuring women with their backs turned to the reader, including Ian McEwan’s Sweet Tooth and John Irving’s In One Person.
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One Translation To Rule Them All
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
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“Will you accept these abs?”
A new season of The Bachelorette is upon us, and we all know what that means: a whole new batch of Leigh Stein’s Bachelorette poems!
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Numerology
You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.
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Who Should Readers Root For In The Super Bowl?
Need a team to root for during today’s Super Bowl? Might I suggest cheering on the team that represents a city angling to become America’s second UNESCO City of Literature? (Related: A few months back, Krakow, Poland, became the seventh city to join the UNESCO bunch.)
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All the Beginnings Have Endings
“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.